Few modern filmmakers wear their influences quite as proudly as Edgar Wright. The man who brought us screwball zombie romantic comedy in Shaun of the Dead, yet also brought us something as stylish as Baby Driver, can basically do it all, but five years ago, he took a trip back to 1960s London where the cinema and music of the era were dreamlike. He turned it into a nightmare, and brought Thomasin McKenzie and Anya Taylor-Joyalong for the ride.
Anya Taylor-Joy’s Twisted Horror Thriller Officially Gets a Second Chance on Streaming
Anya Taylor-JoyPublished 1 min read

